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book two:
believing is seeing
Excerpt from the amazing artifice
of perception
Artifice is the clever use of tricks and devices.
(Collins Dictionary)
WHAT WE EXPERIENCE - OUR REALITY -
depends upon what we believe
WHAT WE BELIEVE depends upon what we perceive
WHAT WE PERCEIVE depends upon what we're looking for
WHAT WE LOOK FOR depends upon what we think
WHAT WE THINK determines what we perceive
WHAT WE PERCEIVE determines what we believe
WHAT WE BELIEVE determines what we take to be true
WHAT WE TAKE TO BE TRUE determines our experience – our reality
and so on, ad infinitum ...
It comes as a shock to most of us when we realize
that the way we individually perceive and understand the world is not
necessarily shared or even consistent within cultures. And between
cultures the differences are even more marked. Perception, as E H
Gombrich noted, is a learned, acquired phenomenon. What I see when I
look at the world is the view determined by my experience within the
social, economic and geographic context I inhabit. My gene pool might
have a say in it as well. Since no two humans have identical life
experiences, perception varies from person to person – and often
radically.
The closed mental circuit above was looped together by
Gary Zukav in
The Dancing Wu Li Masters. The dynamic of the loop is the process
of thinking. And the tidal flow of expectations is the product of one's
acquired knowledge – one's conditioning. The entire archive of conscious
and unconscious memory fuels the surge of this incessant movement.
So what's all this got to do with creativity and blank canvases and
wondering minds? Well, in the introduction of this series a few of the
insidious myths about creativity at loose in the world were set out, and
this little e-book hopes to provide a few tools with which we can begin
chipping away at those which might be sabotaging our own practice. [...]
To download this free e-book
click here (pdf 926 KB)
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what's in book two?
1 the amazing artifice of
perception
2 pictures
3 puzzles
4 perceptual illusions
5 correspondences
6 references
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